Indian beatmaker and bonafide wunderkid Yung Raj explores existentialism and the monotonous side-effects of the pandemic with his usual animated flair in his new EP ‘Unalive’, which just released on esteemed Bristol label Gutterfunk Records.

An artist who continually lives and thrives outside the proverbial box right from the start, the beatboxer turned producer makes an enthralling contribution to the well-renowned record label started by D&B/breakbeat veteran DJ Die, who along with the likes of Machinedrum, Om Unit, Devonwho, Knxwledge and Kiefer, inspired Raj to blaze his own trail towards being one of the finest producers and electronic musicians in the country. With recent releases on heavyweight labels like 4NC¥ as well as minting his first NFT, Yung Raj is proving to be a force to reckon with on the world stage.

Moustached Sardinian DnB marauder ‘Moostatz’ releases his first two-track EP ‘Dark Sun’ on San Francisco based label Samsara Beats, which also includes halftime mixes of the two tracks. After releasing his first single ‘Reality’ on their compilation earlier this year, the exciting new producer levels up his game to give us two absolute vocal Dnb bangers that will send you into orbit. Effortlessly balancing sensitivity with intensity, ‘Dark Sun’ puts the producer’s career to an astronomical start. We expect big things from him in the future.

Unabashedly eclectic yet firmly rooted third culture artist Iyer has released his latest album ‘Farewell’, a collection of tracks that are equal parts of booty shaking as well as nostalgia. With a wide range of influences that include Tamil film music, 90s Bollywood, dancehall, hip-hop and pop, all of which are sewn together with threads of footwork and an undying love for artists like DJ Rashad and AR Rahman, Iyer has juxtaposed his varied tastes together and augmented them with his own life experiences of being a 'third culture Tamilian’ to create a sound that keeps up his own identity with the fast paced cultural changes that every generation is exposed to. All in all, ‘Farewell’ happens to a be a highly gratifying aural culture clash.